Scribble (9-14-16): “Falling, Falling, Falling”

Each month we’ll offer a low-stakes, writing prompt applicable to all genres. Upon completing the prompt, send your piece (500 words or less please) to chippewavalleywritersguild@gmail.com for potential publication in next month’s newsletter!

Without further adieu, “Falling, Falling, Falling” ...

September is here, and with it comes one of the top four most beautiful seasons in the Chippewa Valley: Fall. The days are getting shorter, the temperatures are starting to drop (just a little), and the leaves won’t be green for much longer. Often, the transition between summer and fall happens so gradually that it’s hard to tell when one season starts and the other begins.

Write a story about the moment you know summer has turned into fall. Is it the first sight of a golden tree? A trip to the apple orchard? Or has it already passed with the first day of school?

Something for Everyone at the 2016 Chippewa Valley Book Festival

Lucie Amundsen will share stories of learning to raise chickens at the 2016 book festival.

Lucie Amundsen will share stories of learning to raise chickens at the 2016 book festival.

By Chris Kondrasuk, CVBF marketing co-chair

Mysteries? Historical fiction? Nonfiction? I like them all, which is why I belong to three book clubs —and why the Chippewa Valley Book Festival is right up my alley. I can hear authors of all kinds of books right here in Eau Claire and the surrounding area. 

From this year's selection of authors, I’ve already read a mystery book (The Guise of Another by Allen Eskens), one whose main character is an early Chinese empress (The Moon in the Palace by Weina Dai Randel), one that takes place in the South (Mudbound by Hillary Jordan), and one about the influence of being born to a mother in prison (Prison Baby by Deborah Jiang-Stein).

And that’s just a few of the more than a dozen that will be presenting.

I love the chance to hear the authors talk about their works and what inspires them, and that's what the Chippewa Valley Book Festival is all about. Barbara Massaad will talk about refugees and Syria at a Lebanese-inspired dinner at the Altoona Country Club; Lucie Amundsen will share stories of learning to raise chickens and sell eggs at L.E. Phillips Memorial Public Library; poets Rita Mae Reese and Ron Wallace will share readings with us. I loved Sandy Tolan’s book The Lemon Tree: An Arab, a Jew, and the Heart of the Middle East, and now he will be here to talk about refugees and his latest book Children of the Stone: The Power of Music in a Hard Land. What a wealth of diversity! I try to attend as many sessions as possible.

In addition to author presentations, there are writing workshops and a panel on publishing. Programs are held around the Chippewa Valley, and everything other than meals and workshops are free to attend. I know that I want to attend the cooking demonstration of recipes from Barbara Massaad’s Soup for Syria which will be held at Forage. I could meet Jack Mitchell, one of the earliest employees of Wisconsin Public Radio, at a lunch at the Chippewa Valley Museum. And I definitely want to try chicken with freekeh, a Lebanese inspired dish, at the Eau Claire Country Club. Lebanese food in Eau Claire? This is a real opportunity! 

At the end of the festival, I’ll still have a pile of books to read, but I know I will already be looking forward to the next year’s authors.

And not to forget the children. There are writing workshops, authors in the schools, and even an opportunity for aspiring authors to read their own stories. I’ve been the host for visiting school authors in past book festivals, and it was a thoroughly enjoyable experience. The kids are so excited to meet the author of a favorite book.

If I’ve piqued your interest at all, details are available on our website, cvbookfest.org. The Book Festival will be held from October 10-20, and whether you live in Eau Claire, Bloomer, Chippewa Falls, Menomonie, Altoona, or any place in between, there should be a program that appeals to you.

Start your own pile of must-read books now!

10 Things I Learned at Cirenaica Last Summer

Local educator Ken Szymanski reads his work at the Cirenaica Writing for Radio residency

Local educator Ken Szymanski reads his work at the Cirenaica Writing for Radio residency

By Amy Renshaw

This summer, I had the pleasure of hanging out in a log cabin with a group of skillful nonfiction writers in a residency program organized by the Chippewa Valley Writers Guild. Over the course of a fun weekend, I learned a few things. 

1. It’s pronounced SEAR-IN-NAY-KUH. 

It means “siren of the sea,” according to fishermen from Uruguay. I’m not sure why the fishermen have a language that differs from people with other occupations, but I did feel pulled away from my mundane responsibilities to focus on writing. However you pronounce it, it’s an alluring concept.  

2. Everybody struggles with first drafts. 

Author and former UW-Eau Claire professor John Hildebrand shared early drafts from essayists E.B. White and George Orwell, and we compared them to the finished versions. Studying only perfected, final drafts is like trying to learn construction by only looking at finished houses, John said. The key is to keep working until you’ve built the best piece that you possibly can.  

3. Put more of yourself into your work. 

Nonfiction is telling the truth, but there are lots of ways to tell it. Bring in your own opinions, describe things in your own words, study photographs to get visual impressions, and make your work uniquely original. Even a biography that’s been told and retold dozens of times can take on new life with a fresh perspective.  

4. Provide interesting context. 

It’s the privilege of the storyteller or historian to be able to see the big picture. If your subject lived through wars, persecution, or social upheaval, spell it out. Talk about the location, culture, and setting of the story.  

5. Help readers to envision the characters. 

A few words describing each person who’s named in the piece can enable the reader to form a clear mental picture. If the person isn’t key to the story, don’t give a name. In a memoir or personal essay, remember that you’re a character, too. 

6. Recognize the value of feedback from others. 

Hearing what works and what doesn’t work from supportive people who care deeply about writing is immensely valuable. In addition to the group at the weekend residency, the Chippewa Valley Writers Guild website offers connections to writing groups in a variety of genres and styles. 

7. Read your stuff out loud. 

At Cirenaica, one evening featured a reading that was open to family and friends. Beforehand, UW-Eau Claire professor Allyson Loomis shared helpful tips. She suggested reading at a slower pace than usual, practicing ahead of time, and timing your performance (5-7 minutes was the target length that evening). Allyson also encouraged including a “potato chip”—one tasty idea that makes the audience think or laugh. 

8. Less is more. 

Most writers were urged to consider cutting out early pages or paragraphs, or even chopping off the ending, to focus on the compelling action in our stories. Preparing for the reading on Saturday night was a useful exercise in trimming the excess.   

9. It’s never too late to start. 

Some members of our group were from the retired set, and their stories were fresh and appealing (one person wrote about riding a bike around his Oahu neighborhood during the Pearl Harbor attack in 1941). We all have memorable experiences that others will enjoy hearing about.  

10. Cold oatmeal tastes a lot better than it sounds. 

Seriously. Mix uncooked oatmeal with milk, yogurt, fruit, and nuts, and put it in the fridge overnight. It could fuel your genius.

7 Questions with Jon Loomis

By Alison Wagener

Jon Loomis wants you to know that happiness is fleeting. But not to worry – in a few short days, you can simultaneously bask in the moment, look nostalgically upon your past, and celebrate your own impending and unavoidable death while reading his latest book of poems, The Mansion of Happiness. To preview his upcoming release, I sat down with Jon (albeit 300 miles apart and via email) to talk about writing, happiness, and the man behind the mansion.

Q: From the poems I've seen from your collection, you've spanned quite a lot of topics and themes, from sandhill cranes to suicide, from Reagan masks to Thanksgiving. For you, what - if anything - ties these poems together?

A: The human condition.  Which is to say, this book is a love song for the present, in which we are reasonably happy—or at least not suicidal—and not terribly unwell, and the children are doing okay and we’re maybe even, at this point in our lives, almost prosperous, but what’s looming on the horizon is not good, at all.  It’s global warming and ocean acidification and Zika virus and Donald Trump and heart disease, and all the horrors of our age bearing down on us.  So enjoy the moment, because it won’t last, and what’s trailing along behind it is going to suck, and if you’re lucky you’ll die before it gets here.  So it’s a cheerful book, is what I’m saying, about the nature of happiness, and what a fragile construction that can be.  

Q: Who would you say you write for?

A: About 20 years ago I was running a reading series on Cape Cod, and the first or second week of the series we had two very famous and engaging readers—a poet and a memoirist.  And just as I’m about to shut the doors and go do the introductions, a big silver Cadillac pulls into the parking lot and a guy jumps out.  He’s kind of stocky and he’s dressed for the golf course, circa 1978—plaid pants, white belt, white shoes—the full Cleveland, pretty much, and he’s smoking a big cigar.  And he asks me who’s reading that night, so I tell him.  And he says, “Are you sure?  I thought I read in the paper that this guy Jon Loomis was reading.  I’ve been following his work and it really gets to me."  And I said, sorry, no—it’s a famous and dynamic poet and memoirist—should be a great reading.  And he thinks for a second and says, “Nah,” and gets back in his car and drives away.  And I realized that he was my audience—the man in the white belt.  And he was not a guy who would put up with any bullshit.  So that’s who I write for, pretty much—smart people who may not be academics or other poets.  Not that there’s anything wrong with poets and academics—I just don’t care as much about whether they like my work.    

Q: How would you describe The Mansion of Happiness in one sentence?

A: It’s a cheerful book about the nature of happiness.  And death.  Two sentences—sorry. 

Q: Why did you feel compelled to write this collection?

A: After my first two books of poems came out, I spent about eight years writing novels, which is a very different kind of work.  But all during that time I knew I wanted to go back to poetry at some point.  Long form fiction is hard—it requires lengthy stretches of one’s full attention—you have to keep the whole thing in your head, and there are a lot of moving parts—and I found that after three novels I was kind of exhausted by the process.  Poems are hard, too—they’re fussier in their obsessions—but you can work on them in shorter bursts.  Perfect for someone like me, who has terrible adult ADD.

Q: Mortality is at the forefront of many of your poems, but your tone towards the subject shifts a lot throughout the collection: the feeling of desperation in "Sandhill Cranes in Migration," the blind optimism of "Thanksgiving," and the solemn peacefulness of "If I Come Back." What was your reasoning in presenting these different approaches? 

A: Well, I’m not sure I’d call “Thanksgiving” an optimistic poem—those white sails are headed our way.  But yeah—I think as a whole the collection is pretty dark, though that gets mixed up with a certain amount of manic hilarity at times.  It’s about doing the police in different voices.  Bonus points if you get the reference.

Q: Out of the collection, would you say you have a favorite poem? Which one, and why?

A: I’m not sure I have a favorite.  My wife likes “When the Rapture Came,” which works for me.

Q: What do you want your readers to take away from The Mansion of Happiness?

A: Attention to the moment.  A brief period of putting down your phone, maybe, and seeing what’s around you.  Being happy with what you’ve got, because it’s probably not going to get any better than this.  A blend of appreciation and moderate pessimism, I guess.

Mark your calendars! Author Jon Loomis will be hosting a reading and book release for The Mansion of Happiness at the Volume One Gallery on Sept. 16 at 7 p.m. More details about the event can be found here. If you miss the release, be sure to pick up a copy at The Local Store or the UW-Eau Claire bookstore. 

For more information about Jon Loomis and The Mansion of Happiness, please see these two wonderful articles published by Volume One and the Leader-Telegram.

100 Years of Stories

Photo used with permission from UW-Eau Claire

Who doesn’t love a good story?

In celebration of UW-Eau Claire’s centennial, the College of Education and Human Sciences will host Storytelling Festival Friday on September 16 at 7 p.m. in the Davies Center Dakota Ballroom. The event is free and open to the entire community.

The festival will feature twelve storytellers made up of current and former UWEC students, faculty, and staff. There will be a mix of personal narratives and folklore, all presented in traditional storytelling format. 

The storytellers include local fan favorites Chancellor James Schmidt; UWEC alumni Catherine Emmanuel of the Eau Claire City Council, Mike Paulus of Volume One, Psia Mou of the Eau Claire School District, Khoua Vang of the Eau Claire School District; faculty members Eric Torres of Education Studies, Kristin Rossi of Special Education; faculty emeritus August Rubrecht from English; and current students Mai Lee Kha, Kayla Patterson, and Sergei Raspel. 

Rob Reid of education studies will emcee and share a story, and Carmen Manning, dean of the College of Education and Human Sciences, will welcome the crowd.

The band Pit Wagon, which includes three UW-Eau Claire alumni, will play before the festival and during intermission. Doors open at 6:30pm. 

For more information, contact Rob Reid by email or at 715-836-5015.

Photo used with permission from UW-Eau Claire

Why You Should Attend
a Writers Residency at Cirenaica

When I first heard that the Chippewa Valley Writers Guild would be partnering with Cirenaica to host a series of writers residencies this summer, I was intrigued. As a recent college grad, I’d fallen into the trap of trying to figure out how the real world works (bills, work, buying kitchenware, getting oil changes). Because I was so busy doing that, I reasoned that I didn’t have any time to focus on my writing. Not even an hour a day or an hour a month. The excuses kept flowing, and as a result, I haven’t devoted much time to writing in two years, the activity I claimed to love so much.

Then the opportunity to attend the fiction residency at Cirenaica presented itself, and I decided to stop making excuses and sign-up. 

For a multitude of reasons, it’s the best decision I’ve made in a long time. While there are 100 reasons to sign-up, I’ll limit this list to four reasons why you should attend a writers residency at Cirenaica this summer.

  1. Writing. If you’re going to a writer’s residency/retreat, this is might seem obvious. However, getting three weekend mornings of uninterrupted writing (or reading) time is an incredibly precious thing. In the real world, we always have work to do, kids to care for, and projects around the house to get to. Many times, we let these important things get in the way of our writing, which is also important to us. Cirenaica allows you to take a short reprieve from all of these things and focus on you and your writing. For me, that made the entire experience worth it.

  2. Location. Beautiful. Tranquil. Breathtaking. Any and all of these words can be used to describe Cirenaica. Located in Fall Creek, Wisconsin on “43 acres of hills, farmland, and forest,” it is the perfect spot to be with your thoughts and write. There isn’t a view that I don’t miss. The early morning lighting and view that you see coming up the driveway; sitting on the deck at night, watching the sunset behind the woods; seeing a deer through the window while workshopping. Come see the sights for yourself!

  3. Food. Cirenaica: come for the writing, stay for the food. One of the many perks of attending Cirenaica is that you get three meals a day for the entire three days you’re there. Let me tell you, the food is amazing. So good that you’ll want to go up for thirds, even if some people haven’t eaten yet (no, I did not do this…). From delicious, homemade hummus and quinoa salad for lunch, to fresh grilled veggies and tenderloin for dinner, I’m already nostalgic for the food that has come and gone. Rest assured, you will write well and eat well at Cirenaica.

  4. Community. This is the main reason why I’ll be coming back to Cirenaica next year. It seems unlikely that 10 strangers can come to a writers retreat and leave as friends three days later, and yet Cirenaica made it happen. As writers, we’re only as successful as the community that supports and pushes us to test the limits of our work. Now, thanks to Cirenaica, I have that community. I now have the email addresses and phone numbers of 10 writers 一 10 friends 一 who I can ask for advice on a story or essay I’m working on. They’ll hold me accountable, and tell me to stop making excuses and get writing. They’ll give me honest, yet kind feedback. I can’t even put a price on how valuable this is. Let Cirenaica introduce you to your writing community.

I went into Cirenaica not knowing what to expect. I left three days later with an abundance of ideas for my YA novel, a network of writers who I trust with my work, and a rediscovered motivation to get and keep writing. No more excuses for me!

There are still a few spots available in the July residencies! Join Kimberly Blaeser, Wisconsin’s Poet Laureate, for her poetry residency, or hang out with John Hildebrand and work on your nonfiction piece during his nonfiction residency.

If you’ve found that you’re making excuses for not writing, maybe a weekend at Cirenaica is all you need to break the pattern! Sign-up for one of these remaining spots today!

Please Take a Short (Yet Very Important) Survey!

As we come to the close of the Chippewa Valley Writers Guild’s inaugural season, it’s time to hear from you!  How can we make this Guild YOUR Guild? How can we better provide you the resources needed to support your own writing?

Please take two minutes to fill out the survey below.  Be on the ground floor of helping us make the Guild great!

Our Once-a-Year Ask: The Beginning and End of our 2016 Fundraising Drive

Whether you love the craft talks, the open reads, or the friendship and fellowship that follows, the Chippewa Valley Writers Guild has something for everyone! Thank you for helping us make our first season a great one!  We’ve touched thousands of lives in short order, and we couldn’t do it without you. 

While the Guild is here to support you, please take a moment to support the Guild as well. Consider becoming a $5/month sustaining member, or making a one time gift that fits your budget.  When we all give a little, no one needs to give a lot. 

Besides, it’s easy! Just click here and, in the pull down menu on the right of the “Make a Donation” box, direct your gift to the “Chippewa Valley Writers Guild.”

Our gratitude runs deep. Thank you for helping us sustain our organization.

Spotlight: Sarah Lou Richards On Songwriting

Sarah Lou Richards

Sarah Lou Richards

By BJ Hollars

I first meet Sarah Lou Richards on a rainy night in August.  She’s scheduled to play the Sounds like Summer Concert series, though given the uncooperative weather, is forced to cut the show short.  

Concertgoers pack up all around me, squeezing the water from their drenched blankets as they head back toward their cars.  But since my family and I are already soaked beyond saving, we take our time, and in our casualness, eventually make our way toward Sarah Lou.  

I introduce myself, tell her how much I enjoyed her music, and mention how great it would be to have her drop by one of my creative writing classes some time if it ever fit her schedule.

“Of course!” she says.

“Really?” I say.  

And then, a few months later, she makes good on it. 

The following April I meet Sarah Lou for the second time.  She’s riding out more miserable weather, this time in the visitor’s parking lot hut on the UW-Eau Claire campus.

She is unmistakable in her red-rimmed glasses, her leather boots, her guitar case slung over her shoulder. 

“Hey there,” I say, nodding to the hut.  “I see you’ve found our green room.”

“I’ll take it,” she laughs.

We thread through the swarms of students until making our way to my office.

“So you’re on tour?” I ask.

“I am,” she agrees.  “But I’m also helping my dad.  He just bought a new house in Menomonie, so today I’ve spent most of the day sanding boards and painting bathrooms, that sort of thing.”

“The glamorous rock star life,” I joke.

Sarah Lou offers a warm, Midwestern smile, one that reminds me that when she’s not busy being a rock star she’s busy being a daughter, a sister, an aunt, a fiancé, a friend, and today, my visiting lecturer. 

“So you graduated from here a few years ago?” I ask as we settle into my office.

“Yup, exactly.  I can’t really remember the year,” she says wryly.  “We won’t talk about that.”

What we do know—minus her exact graduation year—is that she studied to become a music teacher.  Though after a fortuitous visit to Nashville, she decided to try a new path: packing her bags and moving to Music City in August of 2007.

“I was totally taken by it,” she says of Nashville.  “I didn’t play guitar and I hadn’t written any songs yet, [but] I learned very quickly that Nashville is definitely a songwriting city, so I just kind of scrambled and started to make it happen.”

“So you were kind of just ‘driven by the dream’ so to speak?”

“Yup.”

“And never looked back?”

“Nope, definitely not.”

Admittedly, I’m more than a little inspired.  So many dream big, and yet putting oneself in a position to achieve those dreams is often easier said than done.  But not for Sarah Lou.  Rather than put her dream on hold she made it her priority, and after eight years of doing odd jobs in addition to her music, at last, music’s her job.

“Most months I can pay my electric bill,” she jokes.

Though it hasn’t been easy, the journey has been a joy.  And her music (which she describes as “folk Americana, with some country roots”) has benefited from that journey.

“It’s a lot of storytelling,” she says of her lyrics, “pretty relatable stuff.  And I definitely take a lot from my own life and the lives of those around me.”

Which means many of her songs are deeply personal, which can be complicated, she explains, when collaborating with others.

“It took me a really long time to find a collaborating partner,” she tells me.  “Nashville is really big on co-writing, which is awesome, but a lot of times its totally a cold call.  You just walk into a room with somebody you’ve never met and sit down and write a song.  And in that aspect, that’s how songwriting is just like any other job: you go and you do your job.  But for me,” she continues, “that’s been kind of tricky because it’s so personal.  Sometimes its scary because things come out that are really honest, and you know that listeners, even if you’re writing about something that’s not about your own life, that’s how it’s heard.  That can be intimidating—to be that brave, that honest.”

But it’s that honesty, I reason, that allows for relatability as well.   

Later that afternoon, she’ll encourage my students to interpret a few of her songs.

What do the lyrics mean to you? she’ll ask.

The students will offer their interpretations, Sarah Lou will nod, and then, she’ll provide insight into her true intentions.  Not that she necessarily has a preferred interpretation of her music.

“If [a song’s] received exactly as you intended, there’s something rewarding about being that clear,” she tells me.  “But it’s also really special if something totally different is taken from it.”

Connecting with listeners, Sarah Lou explains, is what matters most.

As we wrap up our conversation, I ask her to tell me about the highs and lows of being a musician in Nashville.  “Do you get a little of both?”

“Well I don’t think we have time for all the low moments,” she grins and then proceeds to tell me her high moment.

It occurred on her second day in Nashville.  After a full afternoon of unpacking in the sweltering August heat, Sarah Lou, her father, and her friend, took a break to visit some of the better-known music hot spots the city has to offer. 

“Let’s just pop into the Ryman,” Sarah Lou suggested—the home to the Grand Ole Opry from 1943 to 1974.  Hailed as the “Mother Church of Country Music”, one look at the expansive auditorium explains why: it indeed resembles a church, complete with stained glass windows filtering colored beams upon the 2600 seats below. 

“They had a recording booth in there where you could do, for 15.00, basically a glorified karaoke track,” Sarah Lou explains.  “So I did two Patsy Cline songs, and as we were leaving some guy came up to me, and he was holding a guitar, and he said, ‘I just heard you recording. Why don’t you get on stage?’  And so I sang ‘Walking After Midnight’ on the Grand Ole Opry stage on the second day I lived in Nashville.”

I shake my head.

“Sometimes life just conspires on your behalf.”

“Right.  And to have my dad there, you know?  It was a really good sign,” she smiles, “that I had made the right move.”

Building a Writing Community One Group at a Time

Katie Venit

By Katie Venit

In middle school I joined my first writing group when Liz T. found a blank composition book.

We passed it around, each adding to the rambling story filled with grudges and crushes. What a joy! To create a reality using nothing but a piece of paper and the fancy pen I “borrowed” from my mother. We left each other notes for improvement in the margins, and it felt so gratifying to know that someone else felt invested in my writing. 

The wonderment lingered when I worked on my high school and college newspapers and interned one summer at a magazine where I wrote my first piece for pay. After graduating with an English major, journalism minor, I worked for a business magazine in Madison and later freelanced. As my clip pile grew, however, the feedback diminished, until finally it was limited to a check in the mail, a call back to write another piece. 

I craved improvement, I wanted the camaraderie of Liz’s writing group, but to seek feedback opened myself up to all kinds of vulnerability with which I was intensely uncomfortable. I did not fear writing or having people read my words; I feared their opinions. 

Then there is that other hurdle: the debilitation of exhaustion. Honestly, I haven’t written much at all lately, thanks to the original endurance sport: early motherhood. Writing after lights out has been exactly as enticing as writing after running a marathon. Passing out at 8:30 with a cup of tea and uneaten Halloween candy on my chest? Definitely doable. Forming coherent sentences? I’d just as soon climb Mt. Vesuvius. However, motherhood also affords long periods of drudgery, which my mind has always filled with scattered outlines or description. With tentative opening sentences. With words, always with words.

Just recently, my children have grown older, as they do, and my neglected urge to write has begun poking its nose under my hand, much like my dog (also neglected). I can no longer ignore it in favor of the couch. I can no longer hold those words only in my head; they have to spill onto the page for my own sanity. If I have to write, I reasoned, I want it to be good. But I had no one to tell me when it sucks. I decided I need critique and feedback. But how?

Here’s a peek at my thought process: Liz started my first writing group. I needed Liz. Liz lives in Virginia. I would have to start my own group. I would have to be Liz. Gulp.

As luck would have it, I had a few female friends who might be interested. Still, fear made me pause. Could I keep the experience convivial, as Liz had? Could I make myself vulnerable to their opinions, and did I have the time and energy to organize a group? Not likely. Still, I thought about it. And matched socks. And thought about it. And rescued lost toys.

And one day I took a breath and messaged those friends, some of which wrote for publication often, others have not been published yet  Some were into memoir; others nonfiction; others novels. They were all game, and we met within a week.

We set the group’s structure. Bucking all advice to the contrary, we decided would meet occasionally--nay, irregularly--and hold each other to zero accountability. For all of us, writing had to wait until other priorities were met. Sharing a piece at a meeting would be entirely optional. Alcohol would also be an optional, but welcome, augmentation. The only mandatory element was supporting each other to meet our goals. One of us wanted to just finish her novel already. Another wanted to apply to a Chippewa Valley Writer’s Guild residency this summer (and talked two others into applying as well). These goals, for all their ambition, seemed possible now that we weren’t on our own.

As I wrote this very article to workshop at our next meeting, I chose my wording more carefully than I would have otherwise, knowing the ladies would give me feedback. I looked suspiciously at every long sentence and passive verb. I tinkered with my opening and delved into the thesaurus to unearth more interesting verbs. And when I finally, nervously, asked for critique, the experience was nothing like I feared. My friends had insightful opinions, but even critical comments were delivered with such amity that nothing stung. I think my article is better for having been workshopped, but what do you think? Read the original here

We found the following set of questions to be helpful: 1) what were some words and phrases that stuck with you (for whatever reason)? 2) how did this piece make you feel? 3) what interfered with your enjoyment of the piece (Where did you need more information, where is the pace off, what's confusing, etc)? and 4) where are you curious to know more?

We decided to post our group, Women Who Write, on the Chippewa Valley Writer’s Guide directory. Even though our group is closed, listing it helps the guild help us by illustrating the diversity of writers in the area. Perhaps, by example, we could help other writers open themselves up to be vulnerable and share their writing with a critique group. That listing may be the one piece of accountability we allow ourselves, the one external force of pressure that keeps us at our drafts at the edges of the day when we would otherwise be sacked out on the couch, spilling cold chamomile on our slumbering chests. We are official; now we have to live up to it. 

Free time and spare energy with which to write remain elusive, but I no longer fear opinions on my work. I cleared that particular hurdle, and I’m a better writer for it. 

Scribble (5-24-16): “Audio Inspiration”

Each month we’ll offer a low-stakes, writing prompt applicable to all genres.  This month, enjoy “Audio Inspiration ”—a prompt to help us celebrate this wondrous season. Upon completing the prompt, send your piece (500 words or less please) to chippewavalleywritersguild@gmail.com for potential publication in next month’s newsletter!

Without further adieu, “Audio Inspiration” ...

Take a moment to close your eyes and listen: at the coffee shop, at the library, at the grocery store, in your home, your backyard, anywhere.  What do you hear?  Bits of conversation?  Bird song?  Elevator music?  Crickets?  Allow yourself to be inspired by the sounds that surround you.  Take what you hear and turn the sounds into the basis for a scene, or an image in a poem. 

Write hard, then send your work our way!


Congratulations to our April Scribble winner, Alex Tronson!  Check out his piece:

Cold Snap in Nevada

By Alex Tronson

I got off the plane around 11:00 P.M. and it was quiet as I crossed through the terminal toward baggage claim. The couple I’d been sitting next to, patchy skin and yellow teeth, had told me they’d come to Vegas to get married. I told them I didn’t realize people actually did that and then they refused to say anything more. I knew they were nuts from the way they asked the flight attendant for ice cubes to put in their coffee. When I got outside, waiting in line for a shuttle, the air was hot and thick. Spring had come, but these people, in this ridiculous neon desert, they hadn’t even noticed.

The shift of seasons is undeniably a Midwestern obsession. Weather patterns and temperatures transition radically in the guts of America. And once it gets just above freezing, students break out into salmon-colored cargo shorts. The polo tees and bright, ugly, tank-tops. People assume cheery personas, nice weather we’re having! They smile and wave to complete strangers. Kindness drips from every tanning pore and drivers curse quietly, passing cyclists, instead of shouting in their faces.

Last year, I missed the transition into Spring, because a few days after my twenty-first birthday I jumped onto a plane out of Minneapolis for Las Vegas, an overnight stop on my way up through the armpit of California. Winter in the Chippewa Valley had lasted too long, sporadically coughing up snow in March, even April.

Later, after checking into the Best Western on Paradise Road, I carried myself down the street and stumbled toward a Cantina built into a strip mall. There were plastic palm trees covering the entrance and a few great, blue surfboards hanging on the walls. I sat down at a table in the far corner, away from the regulars. A sign above me said: Happy Hour, Daily—3am to 5am.

The waitress was decked out in beach garb, one of those dressy, long overshirts you might layer on top of a swimsuit. She was asking, “What can I get you?”

I looked at the clock. It was almost 1:30A.M. so I ordered a beer. The waitress nodded and disappeared behind the heads at the bar.

A few minutes later she returned and set the drinks down at the table, she was saying “Your not from around here, are you?”

“Not even close,” I said. “I’m from the Midwest. Where they’ve got seasons.”

“We’ve got seasons, too,” she said. “We just don’t notice it as much.”

“Wouldn’t you like to?” I asked.

“Everyone gets so depressed and angry in the Winter.”

“But they’re nice again in the Spring.”

“I’d rather be here,” she said. “We fly our true colors year-round.”

I said, “So you’re bitter and miserable all the time?”

“At least we’re consistent,” she said, and slipped away.

I got up,  left a few bills on the table and wandered out into the dry air, listening to the whispers of desert brush and the dirt, wondering if maybe we’d spent so much time clearing the front walk, the driveway, that we’ve forgotten what we’d left, buried in the mound on the side of the road.

Craft Talk Rewind: “Patience and Perspective” as told by Nickolas Butler

In April, Nickolas Butler gave a standing-room-only Craft Talk at the Local Store. His message: the impact of patience and perspective on our writing. In addition, Butler, the award-winning author of Shotgun Lovesongs and Beneath the Bonfire: stories, discussed his latest project一 a novel that draws on a heart wrenching situation he experienced 17 years ago when he was a teenager. 

Butler said that while he could have written about the subject as a teenager, it would have been raw and relatively narrow-minded. Now, 17 years after the fact, he’s had enough experiences to gain multiple perspectives on the situation. He told us that as writers it’s up to us to see situations from different angles and perspectives in order to write a great piece. This could mean spending time researching or talking to other people about a topic. 

More often than not, perspective comes with time, and time requires patience. 

In an era when instant gratification is king (see: Facebook likes or a YouTube video that’s gone “viral”), there’s also a desire to have work published instantly. This makes patience a virtue we want to ignore. The payoff for having patience (and perspective!) with your work, however, will be even more rewarding than a quick submission. 

What should you do in the meantime while you’re being patient and gaining perspective?

Read. Butler told us that you can’t be a good, solid writer without reading a lot. Not only will you have a better sense of writing and storytelling, but reading different genres like fiction, poetry, essays, and more will help give you the perspective you’re trying to gain. Butler also stressed the importance of reading in order to increase creativity, as well as looking for the creativity in everyday things and conversations. 

We’re grateful that Butler gave us such an honest and inspiring talk, and we’re already looking forward to our next season of Craft Talks starting up in fall of 2016. Make sure to check back to our website so you don’t miss any upcoming Chippewa Valley Writers Guild events! Have an inspired and inspiring summer!

Michael Perry on Saying Yes, Climbing Mountains, and Literary Solitaire

Michael Perry at the L.E. Phillips Memorial Public Library (May 7, 2016)

Michael Perry at the L.E. Phillips Memorial Public Library (May 7, 2016)

By Ken Szymanski

Mike Perry’s level of success can’t be reached by listening to a speech. Still, the L.E. Phillips Memorial Public Library basement was packed with aspiring writers for his May 7 keynote address for the Chippewa Valley Writer's Guild, all us hoping to catch some tips that might provide the elusive secret. 

Anyone who’s reading this knows the Mike Perry story. His success has been a blend of natural born talent and farm boy work ethic, combined with the ability to work a crowd on a book tour stops. Plus, his books often cover the right topics at the right times. Simple, right? Hardly. But he did reveal a simple word important to aspiring writers.

Perry said that being a successful freelance writer starts with saying yes. When agent called and asked if he’d be willing to climb up Mount Rainier for a story, he faked a confident “Yes.” And saying yes over and over has led to opportunities that provide a more exciting angle to writing than simply sitting at the keyboard. “Writing is a means to adventure,” he said, showing slides of mountain top views.

Once on assignments, he stressed the importance of observation (“You have to be the five senses for the reader”) and veracity (it wouldn’t be a Perry if he didn’t send some of us to the dictionary at least once). Nonfiction writers depend on the reader’s trust. It cannot be broken. 

One audience member asked how to deal with having so many job-related writing obligations, that she had little time left to do the writing she really wants to do. 

While writers dream of having months to devote to a project, Perry said that can be actually be counter-productive. Put in that situation, writers can auger down rather than gain traction. Conversely, the brain can spark a lot of ideas while doing other things. Tasks such as chores, mundane writing assignments, firefighting calls, etc. can give the brain a needed break or stimulus for the creative project. Sounds like part of the trick, for busy people, is to learn how to work on your writing when you’re not working on your writing. 

But for those who like to talk about how writing is such tough work, Perry offered some relief. His brother is a logger up north. If writing is so hard, Perry said, try logging with him. “I’m sure we could arrange a sabbatical for ya,” he said, drawing a good laugh from the crowd.  

That’s classic Perry. He loves talking about the craft of writing, but he never gets mystical. He mentioned that his muse is the guy at the bank who holds his mortgage. He writes to put food on the table for his family. It’s simply about observing, writing down observations, typing them up, printing them, cutting up those observations and laying scraps all over giant tables, and finding connections. Simple, right?

Sometimes it’s what Perry called “word jazz” and other times, he said, “It’s like a desperate game of literary solitaire.” 

Literary solitaire: that sums it up the writing process as well as anything. It can be frustrating, success can be elusive, but if you stay up late enough and play long enough, eventually you’ll win one. 


Check out some photos from Perry's keynotE

A Collaborative Poem (Courtesy of the Chippewa ValleyWriters Guild)

As folks waited for our Michael Perry Keynote Address (Saturday, May 7) to begin, we asked them to type a few lines on an old Smith-Corona typewriter, contributing to a collaborative poem. Please—enjoy the fruits of our labor!

On the Occasion of a Michael Perry Reading at the Library

Sunny Eau Claire Saturday, first signs of summer
Behold the child, by nature’s kindly law
The hosts offered cookies and ice cream; a bummer
But love for words is not a character flaw
But merely method of breath

The red sports car drives over by the library—LOVE!
The air is fresh, the books plentiful…perfect
Hugs between friends and new acquaintances made
Loving memories of the past to be resurrect
Lighting the literary flame
Hazy smoke from far away
Mingles in the breeze
Hope sparkling in the trees; we are one
The photo booth makes everyone smile

LAST CALL: Cirenaica Residencies

UW-Eau Claire emeritus professor and former Wisconsin poet laureate Max Garland

UW-Eau Claire emeritus professor and former Wisconsin poet laureate Max Garland

Throughout the  summer of 2016, Cirenaica will host six, 3-day writing residencies.  Though our June residencies have filled, we still have a few spots left for Wisconsin poet laureate Kimberly Blaeser’s poetry residency and John Hildebrand’s nonfiction residency and Erika Janik's 'writing for radio' residency.

The Nuts and Bolts

Each residency will host a maximum of 10 writers.  Writers will be joined by a writer-in-residence, who will oversee workshops and conferences, as well as the occasional special guests, who will take part in evening activities and readings.

When you sign-up for a residency at Cirenaica, you know you’re going to learn from the best. Our residencies seek to balance creation with instruction, providing the flexibility and structure to ensure that all writers of all backgrounds can thrive.  

It's like your favorite class and your summer camp all rolled into one!

Spend your mornings writing in one of our many pristine, shared work spaces, then dedicate your afternoons to workshops, lectures and conferences with our writer-in-residence.  In the evenings, unwind with fellowship and networking around the campfire.  In addition, enjoy guest visits from local writers and prepare for your residency’s public reading, scheduled for the final night of each session.  

But Is It for Me?

Whether you’ve been writing for decades or days, Cirenaica has a place for you! The Chippewa Valley Writers Guild invites you to submit an application and a writing sample for consideration. It’s our mission to support and inspire writers of all levels, so don’t hesitate to put yourself in the running to spend a few days writing with us!

Widening the World (and Learning New Words Along the Way)

By Katie Allan

Growing up in a snow globe town makes you appreciate quaint neighborhoods, countryside, the hundred-or-so people who make up your world, and…well, snow.

And plenty of other things. It takes roughly one radio song to drive the length of my Wisconsin hometown. If you were passing through town during the 90s, and happened to glance up through a smudgy school bus window, you might’ve glimpsed a day-dreamy kid with grass-hopper legs, a kitten shirt, and bangs long enough to tickle her eyelids. She’d have been reading a library book. 

There was something special about that 45-minute commute to school twice a day, where my imagination sucked up stories like superfood. Because cute as snow globe towns are, sooner or later you start flicking pine cones at the glass out of curiosity. You learn about earth on the other side of rural Dairyland. I blame books, mostly. A few teachers. And definitely my parents. 

But just knowing about faraway places isn’t enough. You have to see something out there that’s worth leaving home for. Some folks see mountains calling, others see cities, careers, Beyoncé, the ocean, education, real Chinese food, kinder climates…I don’t know what I first saw. 

But a different window comes to mind, marginally less-smudgy, and 35,000 above the ground. I was nineteen and watching the rivers and village-speckled mountains shrink out of sight as I left Guatemala behind. I had a pile of hand-drawn pictures and cards in my lap; parting tokens from the girls of a Mayan village school.  I was wondering how a foreign country could feel so much like home after fourteen days, and if that was normal. 

Since that initial glimpse, I’ve returned four times to Guatemala. I’ve lived with a Guatemalan family and worked with a nonprofit called Mission Impact for nearly two years. I worked from the communication office, the Mayan girl’s school in a mountain town, and translated in the field for teams. I also spent five months in a training program called GoInternational.tv in Ecuador. There are a lot of stories I now carry around, wedged in my mind. 

But since returning to the U.S. a few months ago, I still haven’t figured out how to translate them all into writing; I’m lacking words. But a miraculous thing about learning a new language is you acquire new words. So I’ve come across a couple in Spanish (*Spain-Spanish, not Guatemalan-Spanish), and one in Greek that echo things I encountered while living in Central and South America.

*Querencia – (n.) a place from which one’s strength is drawn, where one feels at home, the place where you are your most authentic self (Spanish). [kɛˈrɛnsɪə].

*Sobremesa – (n.) The time spent around the table after lunch or dinner, talking to the people you shared the meal with; time to digest and savor both food and friendship (Spanish) [sO-bRe-‘mA-sa].

*Convivencia – (n.) lit. “living together”, in the sense of living or working closely with other people with whom you share feelings, desires, or common purpose (Spanish) [con-vi-‘ven-sE-a].

*Meraki (μεράκι) – (n.) The soul, creativity, or love put into something; the essence of yourself that is put into your work (Greek) [mA-‘rak-E].

****All words and definitions come from the blog Other Wordly compiled by an awesome gal named Yee-Lum. Check it out at http://other-wordly.tumblr.com/ 

These aren’t words I’d use in a sentence. But just knowing they exist and that someone else has felt them before is somehow amazing. 

I’m no longer in my small Wisconsin town, but in Seattle. It’s funny how in a way each city seems like a snow globe (size and snow variable); they’re unique, condensed collections of people, landscape, history and evolving culture. Sometimes the real challenge is to seek out adventure right where we are – to find wonder and humor and purpose in the places we live and work. 

But if you’ve never left the place you were born, and you’re still captivated by what could be on the other side of the glass, it could be time to seek new worlds elsewhere. To stand from a different vantage point and look back at the glass sphere of home. Like the first men on the moon looking back at the blue globe of earth, maybe you’ll find it all the more beautiful from afar. Or maybe you’ll choose to make your home somewhere new. 

Certain goldfish grow in accordance to how big their bowl is. I imagine it would be uncomfortable otherwise; they wouldn’t fit. We have to grow, learn and adapt in order to dive into a new environment where we don’t know the culture, language, systems, and rules of the kingdom.

But there are also new flavors and scents and sights and wonders. Blurry, nameless faces sharpen into friends, and there’s a lot of joking around, but also moments when you see someone, really see them, and realize they see you too. And one day, all that background noise and gibberish around you begins to sound like words. 

Wisconsin Poet’s Calendar Discount

There are many benefits of being a member of a writers group—support, feedback, camaraderie, etc.  Now, thanks to the Wisconsin Fellowship of Poets, we’ve got one more!

Contact Sandra Lindow to receive $5.00 off the 2016 and 2017 Wisconsin Poets’ Calendar.  The discounted rate for the 2016 calendar is 5.00; the discounted rate for 2017 is a mere $10.00.

To receive this discount, please contact Sandra at 715-309-2084 or at lindowleaf@gmail.com.

Save the Date: Join us for Michael Perry’s Keynote Address!

By Erin Stevens

The Chippewa Valley Writers Guild is off to a rousing start! We’re thrilled by the support we’ve received from our community, as evidenced by our standing-room-only Craft Talks, our dozens of applications for Cirenaica, and most exciting of all, the many brave writers who took to the mic at our very first Open Read. We’re inspired by you, and we hope our programs might return the favor.

Though it seems we just got started, our first season of Craft Talks is coming to a close. (Don’t worry, next season will begin lickety split in September.)  But if September is too far away, never fear, we still have some exciting events coming up. Mark your calendars for Saturday, May 7th, 2016 at 2 p.m. because the Chippewa Valley’s very own Michael Perry will be giving a keynote address at the L.E. Phillips Memorial Public Library’s Eau Claire room. 

Yes, you read that right. A New York Times best-selling author, humorist and radio show host, Perry will discuss the keyboard-level realities of balancing writing for a living with writing for meaning. Perry is the author of The Jesus Cow, Population 485, Truck: A Love Story, Coop and many more. This event is free and open to all writers, readers and lovers of literature in the Chippewa Valley and beyond. Bring yourself, your friends, your family members, and/or your roommates. 

Just when you thought it couldn’t get any better than this… brace yourself! At 1 p.m. (prior to Perry’s keynote address), come hang out with the Chippewa Valley Writers Guild on the library’s front lawn! This is a perfect way to meet and engage with fellow writers and literature lovers, and to learn more about the Guild. We’ll also have swag, music, refreshments, ice cream from 9 Degrees, giveaways, collaborative art opportunities, and more! Stop on by and get to know the writers in your neighborhood!

For more information, visit the Chippewa Valley Writers Guild website, or email us at chippewavalleywritersguild@gmail.com

DEADLINE EXTENDED: Summer 2016 Residencies

Cirenaica is an artist residency nestled on 43 acres of hills, farmland, and forest in the quaint village of Fall Creek, Wisconsin.

Cirenaica is an artist residency nestled on 43 acres of hills, farmland, and forest in the quaint village of Fall Creek, Wisconsin.

We've EXTENDED THE DEADLINE for summer writing residencies at Cirenaica to May 1! So put the finishing touches on your application and come out for an incredible creative experience in the wilds of Wisconsin! Can't wait to see you there!

Important Info

➜ Residency at Cirenaica
➜ 2016 Summer Residencies